I specifically compare Italian fairy tales in literature, cinema, and theater with British and French texts that recount the same tale.
I argue that the transformations into fairy-tale texts and the feminine sphere—their metamorphoses, in one word—are textual expressions of the inexhaustibility of fairy tales. In representing and problematizing this sphere, fairy-tale texts express and critique deep-seated anxieties pertaining to the role of gender in the societies in which fairy tales originated. I contend that, by employing feminine metamorphoses in their fairy-tale rewritings, these texts work to counteract cultural fears and oppressive patriarchal tropes embedded in Western European societies, such as those of Italy, France, and the United Kingdom.
This dissertation has three main goals.
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Adelio Reghezza — left the Ponente western Liguria to move to Milan and begin his adventure in the publishing world. He works in a publishing house as a press office and spends his time weaving links between and with people.
Often he can not keep up with the thousands of interests that attract his attention, nevertheless he hopes to make his contribution to the realization of the next edition of the Divine Queer Film Festival because, after all, somewhere we need to start fighting. Creator of multiform and multimedia art works, screenwriter and director.